Goetz Collection

Oberföhringer Straße 103
81925 Munich
Germany

Tel. +49 (0)89 9593969-0
Fax. +49 (0)89 9593969-69

info@sammlung-goetz.de

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Take the Subway U4 to "Richard-Strauss-Straße". Change here for bus # 188 (direction Unterföhring, Fichtenstraße) to bus stop "Bürgerpark Oberföhring".

Take the streetcar # 16 or # 18, or bus # 54 or # 154 to "Herkomerplatz". Change here for bus # 188 (direction Unterföhring, Fichtenstraße) to bus stop "Bürgerpark Oberföhring".

Individual timetable information:
http://www.mvv-muenchen.de/static_languages/en/home/index.html

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Treffer
Die Wohltat der Kunst. Post/feminist positions of the 1990s from Sammlung Goetz
September 14 – October 11, 2002 | Staatliche Kunsthalle Baden-Baden

Is there a post-feminist perspective in art after 1990? And if so, how does it relate to feminist positions of the 1960s and 1970s? The exhibition Die Wohltat der Kunst in the Staatliche Kunsthalle Baden-Baden with works from Sammlung Goetz undertakes an overview of contemporary art.

Against the backdrop of a detailed examination of gender relationships, the exhibition again raises questions about the construction of the concepts of body image and attributes of identity. The term 'post-feminism' in the subtitle does not aim to set boundaries to feminist concepts from the 1970s but to review them.
Based on the observation that female artists were fairly well represented in exhibitions and on the art market of the 1990s, this show presents works by 20 artists (17 female artists and three male artists) who deal critically with body image as manifested in our society, as well as with the balance of power. This issue is also one of the main emphases of Ingvild Goetz's collection: "I want my collection to shake up people or draw their attention – not only in the political sense but also through very good, i.e. aesthetically good art." The exhibition includes many photographs and video works that investigate and criticize the notion of the ideal body image found in the media.
The exhibition, which is curated by Rainald Schumacher (Sammlung Goetz) and Matthias Winzen (Staatliche Kunsthalle Baden-Baden), was developed in close cooperation with Ingvild Goetz. It will be subsequently shown in modified form in Sammlung Goetz. The exhibition not only reflects the profile of the collection but also insights about the collector's thought processes.

Matthew Barney, Rineke Dijkstra, Tracey Emin, Mona Hatoum, Jonathan Horowitz, Sarah Jones, Mike Kelley, Karen Kilimnik, Sarah Lucas, Tracey Moffatt, Cady Noland, Catherine Opie, Pipilotti Rist, Daniela Rossell, Cindy Sherman, Ann-Sofi Sidén, Sam Taylor-Wood, Gillian Wearing, Sue Williams, Andrea Zittel

In slightly modified form:
Sammlung Goetz, Munich
12/02/2002–03/15/2003

Under the title Just Love Me:
Bergen Art Museum, Bergen, NO
08/22–10/26/2003

Fries Museum Leeuwarden, Leeuwarden, NL
04/24–06/21/2004