This exhibition table shows a carpet by the artist Andrea Zittel on which you can have dinner. It consists of moss-green, blue and black rectangular forms, in which two plates, cutlery and glasses are placed opposite each other.
Sammlung Goetz

Andrea Zittel

I think that the 'desert island' represents our greatest fear and our greatest fantasy. Due to the complexity and contradictions of our needs, I feel compelled to create a complex of works that explores and appeals to these needs." (Andrea Zittel)

Andrea Zittel's artistic career began with the design of space-saving furniture for the cramped quarters in New York apartments, which thus fulfills their needs. While searching for organization systems for all areas of life, she sees herself as both a researcher and a test person. The American artist thus observes herself and her daily routines and subjects herself to experiments in order to find out how a living environment and property can change a person's views and behavior.
With living units, from the beginning of the 1990s, she began designing small, compact units for rationalizing and structuring daily activities. These included areas for eating, sleeping, washing, storage and social activities.
As demand developed for her life management models, Zittel founded A–Z Administrative Services, which united conceptual organization, office, store, lab and housing. In addition to her stationary living structures, which include pieces of clothing and carpets, she also designs mobile living arrangements that focus on the dream of freedom.

The works shown in the Sammlung Goetz exhibit give viewers a comprehensive look at the production of A–Z Administrative Services. Zittel developed her own color scheme for the gallery rooms. Especially for this exhibition, the artist created the work A-Z Cellular Compartment Units customized by Goetz Collection (2002). During the design of this living unit with six compartments, the artist derived inspiration from the architecture of the building designed by Herzog & de Meuron. The interior design and thus the function of the unit were created in close collaboration with the collector. In accordance with the latter's wishes and her provision of certain furnishings, the Cellular Compartment Units are infused by an atmosphere of Zen Buddhism.

Andrea Zittel

151 pages, 86 ill., hardcover
German/English
2003, Kunstverlag Ingvild Goetz GmbH, Hamburg
ISBN 3-9808063-2-4
€ 10,00

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Upcoming

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Since 2019, in the context of the Sammlung+ format, the Sammlung Moderne Kunst has presented artistic discoveries, new acquisitions and thematic foci in the Pinakothek der Moderne in collaboration with partners and foundations. This has led to the emergence of new perspectives on the collections, new insights into research work and the establishment of new dialogues. It is in this framework that a selection of paintings by the Japanese artist group Gutai from the Sammlung Goetz will be presented in room 23, within a series of rooms focusing on near-contemporaneous regional and German abstraction phenomena under the title “Walk the Line.”  Founded in 1954 by the abstract painter Jiro Yoshihara, Gutai was one of the 20th century’s most innovative artistic movements, which combined action, abstraction and materiality.

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