This colour photograph shows a woman in an old-fashioned looking room with two single beds. The young woman sits on one of the two beds and looks lost in thought at the other bed. The colourfulness of the photograph appears artificial and cold.

Just Love Me. Post/Feminist Positions of the 1990s from the Goetz Collection

| Bergen Art Museum, Bergen

| Fries Museum, Leeuwarden

Together with Kunsthalle Baden-Baden, Sammlung Goetz created an exhibition entitled Die Wohltat der Kunst that includes artistic positions from the 1990s. It united works that treat questions of gender and identity in a new manner. The Bergen Art Museum (NO) and the Fries Museum, Leeuwarden (NL) present this exhibition under the title Just Love Me.

With Matthew Barney, Rineke Dijkstra, Tracey Emin, Mona Hatoum, Jonathan Horowitz, Sarah Jones, Mike Kelley, Karen Kilimnik, Sarah Lucas, Tracey Moffatt, Cady Noland, Catherine Opie, Pipilotti Rist, Daniela Rossell, Cindy Sherman, Ann-Sofi Sidén, Sam Taylor-Wood, Gillian Wearing, Sue Williams and Andrea Zittel.

'Just Love Me', advertises the cursive writing in neon pink by Tracey Emin. But the 'bad girl' of the British art scene does not make it easy for audiences to love her. She includes details from her intimate life in her works with a seemingly complete lack of embarrassment. Just Love Me is also the title of an exhibition with works from Sammlung Goetz that raise questions about the construction of gender and identity. Many of the works shown are photographs and videos. They critically confront body images formed by the media and show how these express the balance of power.
This issue is also one of the main emphases of Ingvild Goetz's collection: "I want my collection to shake up people or draw their attention – not only in the political sense but also through very good, i.e. aesthetically good art". As indicated by the subtitle, the exhibition included works by 20 artists and critically reviews feminist strategies of the 1970s.

Exhibition dates:

Bergen Art Museum, Bergen, NO | August 23 – October 26, 2003

Fries Museum Leeuwarden, Leeuwarden, NL | April 24 – June 21, 2004

Just Love Me.
Post/Feminist Positions of the 1990s from the Goetz Collection

243 pages, 151 ill., softcover
English
2003, Verlag der Buchhandlung Walther König, Köln
ISBN 3-88375-754-3
€ 20,00

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Upcoming

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Since 2019, in the context of the Sammlung+ format, the Sammlung Moderne Kunst has presented artistic discoveries, new acquisitions and thematic foci in the Pinakothek der Moderne in collaboration with partners and foundations. This has led to the emergence of new perspectives on the collections, new insights into research work and the establishment of new dialogues. It is in this framework that a selection of paintings by the Japanese artist group Gutai from the Sammlung Goetz will be presented in room 23, within a series of rooms focusing on near-contemporaneous regional and German abstraction phenomena under the title “Walk the Line.”  Founded in 1954 by the abstract painter Jiro Yoshihara, Gutai was one of the 20th century’s most innovative artistic movements, which combined action, abstraction and materiality.

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