An igloo made of steel plates of different sizes is placed on the floor with a neon tube diagonally through its centre. Mario Merz, Sammlung Goetz Munich
Kunstmuseum Basel

Arte Povera. The Great Awakening

This exhibition at the Kunstmuseum Basel will present works of the Arte Povera from Sammlung Goetz with the critical historical distance of current art historians who not only understand the “Arte Povera” phenomenon as a construct of its theoreticians and curators but who are also elaborating more and more on the individuality of the movement’s protagonists.

With Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio.  

This extensive collection also formed the prelude to Ingvild Goetz’s intensive collecting activities at the beginning of the 1990s. It was rapidly followed by purchases based on holdings from Ingvild Goetz’s previous activities as an art dealer with excellent intuition, and developed into one of the most significant private collections of Arte Povera. At the end of the 1990s, Arte Povera – Arbeiten und Dokumente aus der Sammlung Goetz 1958 bis heute (Arte Povera – Works and Documents from Sammlung Goetz, 1958 Until Today) was presented to the public in the Kunstmuseum Weserburg Bremen, the Kunsthalle Nuremberg, the Cologne Kunstverein, the Palais Liechtenstein Vienna, the Konsthallen Gothenburg and then at Sammlung Goetz itself in Munich.

Curated by Bernhard Mendes Bürgi

 

 

Arte Povera. The Great Awakening

144 pages, 212 ill., hardcover
Separate German and English edition
2012, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-3356-4
€ 39,80

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Upcoming

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Since 2019, in the context of the Sammlung+ format, the Sammlung Moderne Kunst has presented artistic discoveries, new acquisitions and thematic foci in the Pinakothek der Moderne in collaboration with partners and foundations. This has led to the emergence of new perspectives on the collections, new insights into research work and the establishment of new dialogues. It is in this framework that a selection of paintings by the Japanese artist group Gutai from the Sammlung Goetz will be presented in room 23, within a series of rooms focusing on near-contemporaneous regional and German abstraction phenomena under the title “Walk the Line.”  Founded in 1954 by the abstract painter Jiro Yoshihara, Gutai was one of the 20th century’s most innovative artistic movements, which combined action, abstraction and materiality.

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