The photograph from the private archive shows the young collector Ingvild Goetz in front of a work by Michael Buthe, consisting of a round golden circle with dark bird feathers attached to its edge. Sammlung Goetz Munich
Sammlung Goetz

Michael Buthe and Ingvild Goetz. A friendship

Michael Buthe (1944-1994) was already a living legend. Much like a prince, the artist staged himself in his own fairytale world. Ingvild Goetz met Buthe in the 1970s and collected his work thereafter. With more than 40 paintings, objects, collages and works on paper and private photographs dating from 1968-1994, the retrospective exhibition at Sammlung Goetz provides insight into the friendship between the artist and collector.

 

"Art in itself is a religion. And I believe that artists really do have a priest-like function", Michael Buthe explained in an interview. He brought spirituality to art at a time when it was dominated by the conceptual, and he did not shy away from connecting his work with the opulence of the Orient and motives of kitsch. Adorned with feathers and dressed in flowing robes, he acted as a shaman in his performances and turned his exhibitions into mystical-magical works of art. Despite his early death, "Michel de la Sainte Beauté" – as he called himself ironically – has remained in our memories as a dazzling artistic personality.
Ingvild Goetz met Buthe, who led a nomadic life between the Rheinland and Morocco, in Cologne, and she later visited him in his studio in Marrakesh, becoming enchanted with his superordinate visual cosmos. The two were united in their curiosity of the unknown, their interest in foreign cultures and their yearning for spirituality in everyday life. Buthe even designed a meditation tower on Goetz’s private compound in Spain, which he solemnly inaugurated with a mystical ritual.
The exhibition in the Sammlung Goetz presents Michael Buthe in the full scope of his artistic career, beginning with his early minimalist drawings and objects from 1968/69 to his sculptural collages with feathers, plants and glossy paper, his large-format watercolors and his paintings adorned with silver and gold bronze, to his extensive portfolios from 1993/94, which are on view to the public for the first time. The presentation is supplemented by documentary material and photographs from Ingvild Goetz’s personal photo album.

Curated by Karsten Löckemann

 

Michael Buthe und Ingvild Goetz – Eine Freundschaft

176 pages, 119 ill., softcover
German
2016, Hatje Cantz Verlag, Berlin
ISBN 978-3-7757-4224-5
€ 35,00

learn more

Upcoming

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Since 2019, in the context of the Sammlung+ format, the Sammlung Moderne Kunst has presented artistic discoveries, new acquisitions and thematic foci in the Pinakothek der Moderne in collaboration with partners and foundations. This has led to the emergence of new perspectives on the collections, new insights into research work and the establishment of new dialogues. It is in this framework that a selection of paintings by the Japanese artist group Gutai from the Sammlung Goetz will be presented in room 23, within a series of rooms focusing on near-contemporaneous regional and German abstraction phenomena under the title “Walk the Line.”  Founded in 1954 by the abstract painter Jiro Yoshihara, Gutai was one of the 20th century’s most innovative artistic movements, which combined action, abstraction and materiality.

further exhibitions

view archive