Blond person in white T-shirt in the foreground repeated twice in the background. Bjørn Melhus, Sammlung Goetz Munich
Sammlung Goetz in Haus der Kunst

Again and Again

The exhibition Again and Again explores the fragile image of the self in video works from the 1990s and 2000s. On view are 12 works that have expanded the spectrum of visual design through the technical possibilities of digital media art.

With Doug Aitken, Matthew Barney, Candice Breitz, Brice Dellsperger, Tracey Emin, Mark Leckey, Kristin Lucas, Bjørn Melhus, Cindy Sherman, Mathilde Ter Heijne and Ryan Trecartin.

From the beginning, video art has been used as a medium of artistic self-reflection, because unlike analogue film, video allows the simultaneous reproduction of the filmed material on a monitor. The analysis of concepts of the self has not lost its relevance to gender research, new scientific developments and the increasing amount of self-presentation in the mass media and on social networks. Using new narrative techniques in media art, such as the loop, multichannel projection and the split screen, artists are constantly expanding their pictorial repertoire.

The connection between psychology and the moving image is investigated by Kristin Lucas (*1968, Davenport, US), Tracey Emin (*1963, Croydon, GB) and Doug Aitken (*1968, Redondo Beach, US) in their work. Mathilde ter Heijne (*1969, Strasbourg, FR), Candice Breitz (*1972, Johannesburg, SA) and Cindy Sherman (*1954, Glen Ridge, US) are concerned with issues of female identity. Brice Dellsperger (*1972, Cannes, FR) Mark Leckey (*1964, Birkenhead, GB), Ryan Trecartin (*1981, Webster, US) and Matthew Barney (*1967, San Francisco, US) expand the spectrum of gender identities and make the boundaries between appear effortless and permeable. The title of the exhibition Again and Again is based on the eponymous single-channel installation by Bjørn Melhus (*1966, Kirchheim unter Teck, DE), in which he explores the subject of cloning in a humorous manner and which is presented on eight monitors.

Curated by Daniel Milnes

Upcoming

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Since 2019, in the context of the Sammlung+ format, the Sammlung Moderne Kunst has presented artistic discoveries, new acquisitions and thematic foci in the Pinakothek der Moderne in collaboration with partners and foundations. This has led to the emergence of new perspectives on the collections, new insights into research work and the establishment of new dialogues. It is in this framework that a selection of paintings by the Japanese artist group Gutai from the Sammlung Goetz will be presented in room 23, within a series of rooms focusing on near-contemporaneous regional and German abstraction phenomena under the title “Walk the Line.”  Founded in 1954 by the abstract painter Jiro Yoshihara, Gutai was one of the 20th century’s most innovative artistic movements, which combined action, abstraction and materiality.

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