Exhibition view with colourful and minimalist recessed walls in a black-painted exhibition space. Gerwald Rockenschaub, Sammlung Goetz Munich
Sammlung Goetz BASE 103

Gerwald Rockenschaub. re-entry (third ear edit)

In his complex oeuvre, Gerwald Rockenschaub uses the entire range of minimalistic and formalistic expressions. In Sammlung Goetz’s Base 103 exhibition space, the artist presents works from the collection as well as a new site-specific installation.

In contrast to radical Minimal Art, Rockenschaub (*1952) has never distanced himself from popular culture; rather, the artist has continually sought a cross-over between art, design, media and everyday life. He freed the minimalistic concept from its rigid rules and created an individual "funky minimalistic" style. In addition to developing an independent artistic position, Rockenschaub also works as an internationally successful DJ. Art and music are a fruitful symbiosis. His early Neo-Geo style paintings have exactly the format of LP covers. In Base 103, he continues the artistic dialogue surrounding the creative freedom of minimal art pursued in the exhibition FarbRaumKörper using other means and as an extension into the space.

Curated by Karsten Löckemann

Gerwald Rockenschaub. Re-entry (Third Ear Edit)

72 pages, 26 ill., softcover
German/English
2017, Hatje Cantz Verlag, Berlin
ISBN 978-3-7757-4320-4
€ 20,00

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Cindy Sherman

| Sammlung Goetz /Schaufenster

The staging of female role models in photographic self-portraits is the predominant theme in the work of American artist Cindy Sherman. To this end, Sherman references stereotypes of collective visual memory in a media-driven world. The exhibition at the Sammlung Goetz /Schaufenster highlights works from Sherman’s fashion series, created between 1983 and 1994. Thanks to her passion for costumes and masquerade, the world of fashion has been an expansive playing field for her artistic exploration.

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