Exhibition view with colourful and minimalist recessed walls in a black-painted exhibition space. Gerwald Rockenschaub, Sammlung Goetz Munich
Sammlung Goetz BASE 103

Gerwald Rockenschaub. re-entry (third ear edit)

In his complex oeuvre, Gerwald Rockenschaub uses the entire range of minimalistic and formalistic expressions. In Sammlung Goetz’s Base 103 exhibition space, the artist presents works from the collection as well as a new site-specific installation.

In contrast to radical Minimal Art, Rockenschaub (*1952) has never distanced himself from popular culture; rather, the artist has continually sought a cross-over between art, design, media and everyday life. He freed the minimalistic concept from its rigid rules and created an individual "funky minimalistic" style. In addition to developing an independent artistic position, Rockenschaub also works as an internationally successful DJ. Art and music are a fruitful symbiosis. His early Neo-Geo style paintings have exactly the format of LP covers. In Base 103, he continues the artistic dialogue surrounding the creative freedom of minimal art pursued in the exhibition FarbRaumKörper using other means and as an extension into the space.

Curated by Karsten Löckemann

Gerwald Rockenschaub. Re-entry (Third Ear Edit)

72 pages, 26 ill., softcover
German/English
2017, Hatje Cantz Verlag, Berlin
ISBN 978-3-7757-4320-4
€ 20,00

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Upcoming

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Since 2019, in the context of the Sammlung+ format, the Sammlung Moderne Kunst has presented artistic discoveries, new acquisitions and thematic foci in the Pinakothek der Moderne in collaboration with partners and foundations. This has led to the emergence of new perspectives on the collections, new insights into research work and the establishment of new dialogues. It is in this framework that a selection of paintings by the Japanese artist group Gutai from the Sammlung Goetz will be presented in room 23, within a series of rooms focusing on near-contemporaneous regional and German abstraction phenomena under the title “Walk the Line.”  Founded in 1954 by the abstract painter Jiro Yoshihara, Gutai was one of the 20th century’s most innovative artistic movements, which combined action, abstraction and materiality.

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