Resonance and Silence. Synesthetic aspects of film and video
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The third Sammlung Goetz exhibition in the former air-raid shelter of the Haus der Kunst focuses on the fundamental differences between film and video that set these artforms apart from such classic media as painting or sculpture: time and sound.
León Krempel, the curator of Klang und Stille (Resonance and Silence), has selected works from the Sammlung Goetz that range from the strident canine barking of El Gringo to the almost unbearable grinding sound of Sabbath and even visual sequences with no sound at all, such as Ruurlo, Bocurloscheweg, 1910 or Uomoduomo, which nevertheless evoke an inner idea of sound. Resonance and Silence positions our perceptions at a critical distance to the sensory seductiveness of the media. It is only when we are aware that images can evoke sound, and sounds can evoke images, that we are in a position to understand film and video in a fundamental and analytical way. Only then does the artwork emerge from the field of entertainment and contribute to our understanding of reality.
feat. Mike Brodie, Mouse Green, Rhyw, Mia Justice Smith, Moritz Stumm
In the exhibition The Sunset Route, on view at the Kunstpalais Erlangen and created in collaboration with the Sammlung Goetz, Cyrill Lachauer presents works from 2020 to 2025, a period during which he traveled on freight trains through the USA, Mexico, and Bosnia. In the spirit of poetic ethnography, he created photographs and films that are now being shown together for the first time. They all explore questions of freedom, self-determination, and resistance, as well as colonization, exclusion, and exploitation.