Photograph of a view from the outside into the colourfully designed interior of a miniature house. Laurie Simmons, Sammlung Goetz Munich
Neues Museum, Nuremberg

The Fabulous World of Laurie Simmons

As part of the celebrations for the 175th anniversary of photography, the Neues Museum is dedicating an extensive solo show to US American photo-artist Laurie Simmons – and with that will be the first European exhibition institution to do so. The presentation features works from the Sammmlung Goetz, which was placed on permanent loan to the Neues Museum at the end of 2013, augmented by loans from the artist.

Ever since the 1970s, Laurie Simmons has developed a photographic oeuvre that focuses on the ways everyday worlds are staged. Miniaturised interiors and artificial spaces form the arena for her figures. Inspired by human ways and dispositions, they are transformed into mirrors of our lives through role games and dramatic scenarios.

Right from the start of her career, Laurie Simmons has produced serial works, in black and white and in colour. Not infrequently her photos seem like film stills, which seem to tell a story when placed in succession. The actors who populate her landscapes or interiors are cowboys or tourists, while her female characters are shown as housewives, the lady of the house, or as sexualised objects.

Many of the protagonists seem to be living life as a mere cliché, and to be prisoners of their own social conventions. With her hyper-realistic but always narrowly defined worlds, as well as her depictions of prototypes, Laurie Simmons was quick to come up with a socio-critical body of work that conveys the ideals vaunted by the media precisely through its chosen medium of photography.

Curated by Karsten Löckemann und Angelika Nollert

Cooperation between the Neues Museum in Nuremberg and the Sammlung Goetz.

Upcoming

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Works from the Sammlung Goetz place the phenomenon of gestural art within an international context. After the end of World War II and in an auspicious political climate, one of the most innovative artist groups of the 20th century, Gutai (concrete, spontaneous, direct), evolved in Japan. The Gutai group was founded in 1954 with the aim of moving beyond the realm of abstraction and exploring the possibilities of pure creativity. Works by Toshio Yoshida and Chiyu Uemae, among others, will be presented. This project is a continuation of the joint cooperation between the Bayerische Staatsgemäldesammlungen and the Sammlung Goetz under the title Sammlung+Goetz.

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