This photograph consists of a close-up of two male head sculptures. They have no hair, but an expressive facial expression. They are also dressed with high-quality fabrics.

Sammlung Goetz

Thomas Schütte

March 19 – August 11, 2001

A fundamental distrust of art institutions is the characteristic element in the works of Thomas Schütte. He subtly formulates this criticism with seemingly classic works.

The Sammlung Goetz holds over 50 works by Schütte from the past 20 years. These represent various complexes of works created during his years of study at the Academy in Dusseldorf up to the present day. They also reflect the collector's personal interest in the artist, however. In close cooperation with Thomas Schütte, a retrospective was developed with a scope not seen since the mid 1990s in Germany. The exhibit includes examples of his architectural models, sculptures, installations, water colors, photographs and drawings as well as studies from the early 1980s that have never been shown.
Schütte's skepticism about the traditional conception of art and its function in public spaces is manifested throughout. It is also expressed by the radical and experimental practice of including unsuccessful attempts as part of the artist's oeuvre.

Thomas Schütte

112 pages, 107 ill., hardcover
German/English
2001, Kunstverlag Ingvild Goetz GmbH, Hamburg
ISBN 3-9805267-6-3
€ 10,00

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Cindy Sherman

March 17 – June 27, 2026 | Sammlung Goetz /Schaufenster

The staging of female role models in photographic self-portraits is the predominant theme in the work of American artist Cindy Sherman. To this end, Sherman references stereotypes of collective visual memory in a media-driven world. The exhibition at the Sammlung Goetz /Schaufenster highlights works from Sherman’s fashion series, created between 1983 and 1994. Thanks to her passion for costumes and masquerade, the world of fashion has been an expansive playing field for her artistic exploration.