Goetz Collection

Oberföhringer Straße 103
81925 Munich
Germany

Tel. +49 (0)89 9593969-0
Fax. +49 (0)89 9593969-69

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Please select an appointment on our login page. The appointment time indicates the span for your entry but not the duration of your stay. Further information on tours and our special events can be found here.


Größere Kartenansicht

Take the Subway U4 to "Richard-Strauss-Straße". Change here for bus # 188 (direction Unterföhring, Fichtenstraße) to bus stop "Bürgerpark Oberföhring".

Take the streetcar # 16 or # 18, or bus # 54 or # 154 to "Herkomerplatz". Change here for bus # 188 (direction Unterföhring, Fichtenstraße) to bus stop "Bürgerpark Oberföhring".

Individual timetable information:
http://www.mvv-muenchen.de/static_languages/en/home/index.html

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Treffer
Cyrill Lachauer. I am not sea, I am not land
July 24, 2020 – January 10, 2021 | Sammlung Goetz in Haus der Kunst, Munich

Cyrill Lachauer (*1979 in Rosenheim, lives and works in Berlin and Los Angeles) develops his extensive projects on long journeys, and delves deeply into the local cultures of the places he visits. For the exhibition by the Sammlung Goetz in the former air-raid shelter of Haus der Kunst, Lachauer has created a new multi-part installation, which includes films, videos, photographs and texts.

The artist deals with the idea of land in various forms. Land can signify home and provide roots, or refer to a nourishing piece of earth. It can also, however, lead to inclusion or exclusion when it represents the idea of nationhood. Land can be owned or lived with. It can be taken away, destroyed, and made inaccessible to others. In Cockaigne – I am not sea, I am not land, we encounter a US American who has fled to Berlin to escape a long prison sentence, three diamond seekers in South Africa, a gay park worker in Yosemite National Park and people performing demonic Twelfth Night rituals in the alpine region. Lachauer does not assume the role of the distanced observer hidden behind the camera, but rather questions his own position by exploring socio-political issues concerning gender, identity, social class and nationhood.
The title of the exhibition refers to the 1567 painting The Land of Cockaigne by Peter Brueghel the Elder. In the painting, Breughel depicts a land of milk and honey (English Cockaigne) as an ironic utopian counterpart to the everyday harshness of peasant life.

Curated by Cornelia Gockel and Susanne Touw