© Cyrill Lachauer
Sammlung Goetz in Haus der Kunst

Cyrill Lachauer. I am not sea, I am not land

Currently closed

Cyrill Lachauer (*1979 in Rosenheim, lives and works in Berlin and Los Angeles) develops his extensive projects on long journeys, and delves deeply into the local cultures of the places he visits. For the exhibition by the Sammlung Goetz in the former air-raid shelter of Haus der Kunst, Lachauer has created a new multi-part installation, which includes films, videos, photographs and texts.

Cyrill Lachauer digital

Due to security measures to contain the spread of COVID-19 the Sammlung Goetz exhibition Cyrill Lachauer. I Am Not Sea, I Am Not Land on view in Haus der Kunst is temporarily closed. An online presentation of select videos and installations from the show, providing insight into the artist’s thoughts and artistic approach, can be viewed on our website until the time Haus der Kunst reopens. The works provide insight into the artist’s thoughts and artistic approach

The artist deals with the idea of land in various forms. Land can signify home and provide roots, or refer to a nourishing piece of earth. It can also, however, lead to inclusion or exclusion when it represents the idea of nationhood. Land can be owned or lived with. It can be taken away, destroyed, and made inaccessible to others. In Cockaigne – I am not sea, I am not land, we encounter a US American who has fled to Berlin to escape a long prison sentence, three diamond seekers in South Africa, a gay park worker in Yosemite National Park and people performing demonic Twelfth Night rituals in the alpine region. Lachauer does not assume the role of the distanced observer hidden behind the camera, but rather questions his own position by exploring socio-political issues concerning gender, identity, social class and nationhood. The title of the exhibition refers to the 1567 painting The Land of Cockaigne by Peter Brueghel the Elder. In the painting, Breughel depicts a land of milk and honey (English Cockaigne) as an ironic utopian counterpart to the everyday harshness of peasant life.

In May 2019, Cyrill Lachauer traveled from Florida to New Mexico on freight trains. On the journey, he wrote texts. These writings became the basis of his video Sunken Cities, Floating Skies, which was developed in collaboration with Moritz Stumm. Over a period of several months, the two artists worked in the studio and created a 25-minute sampling composition. While the film Sunken Cities, Floating Skies was produced exclusively as a limited edition, the soundtrack is available as a free and open­ source on Soundcloud.

Curated by Cornelia Gockel and Susanne Touw

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Trailer to the exhibition

© Cyrill Lachauer

Open End

40 pages, 31 ill., softcover
German
2012, Kunstverlag Ingvild Goetz GmbH, Hamburg
ISBN 978-3939894-00-1
€ 6,00

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Klang und Stille. Synästhetische Aspekte von Film und Video.
Sammlung Goetz im Haus der Kunst

112 pages, 114 ill., softcover
German/English
2012, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-3288-8
€ 10,00

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Why I Never Became a Dancer.
Sammlung Goetz im Haus der Kunst

124 pages, 458 ill., softcover
German/English
2011, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-3154-6
€ 10,00

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Aschemünder.
Sammlung Goetz im Haus der Kunst

117 pages, 297 ill., softcover
German/English
2011, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-2974-1
€ 10,00

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fast forward. Media Art Sammlung Goetz

532 pages, 2200 ill., hardcover
German/English
2004, Kunstverlag Ingvild Goetz GmbH, Hamburg
1. edition: 2003, Kunstverlag Ingvild Goetz GmbH, Hamburg
ISBN 3-9808063-9-1

2. edition: 2006, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-1865-3
€ 35

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fast forward 2. The Power of Motion Media Art Sammlung Goetz

320 pages, 782 ill., hardcover
German/English
2010, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-2604-7
€ 25,00

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Upcoming exhibitions

© Imi Knoebel/VG BILD Kunst, Bonn, photo: Thomas Dashuber

Imi Knoebel

Sammlung Goetz

Autumn/Winter 2021

The Sammlung Goetz honors the artist Imi Knoebel on the occasion of his 80th birthday with a retrospective exhibition. The entire spectrum of Knoebel’s artistic oeuvre will be presented, starting with his black and white photographs from the 1960s to his collages made of multicolored paper and his objects cast in concrete and ending with his most recent paintings in acrylic on aluminum. The presentation also includes Knoebel’s geometrical, minimalist works as well as his expressive paintings from the 1980s, which have rarely been shown until now.

© Barbara Kasten

Barbara Kasten. Works

Sammlung Goetz BASE 103

Autumn/Winter 2021

The American artist Barbara Kasten has created an impressive artistic oeuvre over her career spanning from the 1970s to the present. At the center of Kasten’s work are her abstract, geometric color photographs from the 1980s, which explore the interplay of light and dark and afford new spatial experiences. The Sammlung Goetz, which has extensive holdings of works by Kasten, is mounting the artist’s first solo exhibition in Europe in cooperation with the Kunstmuseum Wolfsburg. A selection of the extensive retrospective will be on view in the Sammlung Goetz in Munich.

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