The world as a stage is the subject of a large-scale exhibition of the Sammlung Goetz presented in the Fundación Banco Santander. Approximately 90 works, from paintings to sculptures, photographs and films to large-scale installations by 25 artists, will be on view.
Since 2011 the Fundación Banco Santander has presented the most prestigious collections from around the world in its rooms in Boadilla (Madrid). For 2015, the foundation has invited the Sammlung Goetz to curate an exhibition from its holdings; this is the foundation’s first presentation of a German institution. Instead of simply presenting a selection of its highlights, the curators decided to look at the collection from a different perspective.
Many of the works collector Ingvild Goetz has brought together focus on issues of representation, theatricality and staging. The roughly 3,000 square meters of exhibition space provides a welcome opportunity to show how artists from various generations explore – in the diversity of virtually all media forms – this topic and how the visual and performing arts in dialogue inspire each other. The title of the exhibition All the world's a stage is a quote from William Shakespeare's comedy As You Like It, which deals with, in addition to deceptions and disappointments in love, ultimately, the search for one’s own identity.
The exhibition includes the large photo light boxes of Jeff Wall, bronze sculptures by Jonathan Meese and stage-like paintings by Hiroshi Sugito. Some of the highlights include the installations of Elmgreen & Dragset, Janet Cardiff & George Bures Miller and Mike Kelley, which transport the viewer into another world.
feat. Mike Brodie, Mouse Green, Rhyw, Mia Justice Smith, Moritz Stumm
In the exhibition The Sunset Route, on view at the Kunstpalais Erlangen and created in collaboration with the Sammlung Goetz, Cyrill Lachauer presents works from 2020 to 2025, a period during which he traveled on freight trains through the USA, Mexico, and Bosnia. In the spirit of poetic ethnography, he created photographs and films that are now being shown together for the first time. They all explore questions of freedom, self-determination, and resistance, as well as colonization, exclusion, and exploitation.
The American artist Laurie Simmons is known for her photographs featuring tiny dolls representing stereotypical female roles in domestic interiors. Her series In and Around the House (1978/79) is exemplary for this set-up photography. The series is the centerpiece of the exhibition, with 56 black-and-white images showing a doll occupied with the mundane chores of a housewife in the cozy environment of a dollhouse. The exhibition “Laurie Simmons: Dollhouse Photographs”, a collaboration of Sammlung Goetz, Deutsches Theatermuseum and FILMFEST MÜNCHEN, presents a selection of works by Simmons that cast a critical gaze at gender stereotypes in the American middle class.
Los Angeles-based American artist Sterling Ruby is known for his cross-genre work, which ranges from ceramics and bronzes, collages and textiles, to enormous, spray-painted paintings. In his works, Ruby weaves together a variety of different autobiographical, art-historical, and sociological sources. Through deconstruction and reconstruction, he probes the idea of a non-hierarchical and borderless universe. The exhibition at the Sammlung Goetz /Schaufenster provides insight into his multi-layered artistic practice.
Canadian artist Jeff Wall is one of the most influential photographers of our time. In his elaborately staged pictorial compositions, he combines the narrative of cinema with painting. Wall became known for his large-format lightbox images, which are formally more reminiscent of the world of advertising than that of fine art. With this technique, he revolutionized the medium of photography, elevating it to the height of painting and sculpture. The exhibition at the Sammlung Goetz /Schaufenster presents a selection of his iconic lightbox images from the 1990s.