© Emanuelle Antille
Sammlung Goetz BASE 103

Emmanuelle Antille

Emmanuelle Antille seduces viewers with her suggestive video installations. Sammlung Goetz inaugurates its newly expanded exhibition space, BASE 103, by presenting two central works of the Swiss artist.

We almost feel that we are sleepwalking when Emmanuelle Antille leads us along paths to mythically charged places. These locations become arenas for exceptional human circumstances and borderline situations.
The viewer in the five-part video installation Radiant Spirits (2000) seems to assume the role of a voyeur. In this work, Antille is the guide who takes the viewer on a discovery tour of an old Grand Hotel. Lying comfortably on a chaise lounge wearing video eyeglasses, the viewer witnesses erotic and puzzling events.
The video installation Angels Camp – Into the Purple Circle (2003) features four freely hanging screens and a lightbox, and is an independent component of the work group Angels Camp. Based on a novel, the work depicts the life of a group of young people at a camp on a lake. The installation was first shown in its entirety in 2003 in the Swiss Pavilion in Venice.
With the opening of BASE 103, Ingvild Goetz sets new priorities in her media exhibition activities.


© Imi Knoebel/VG BILD Kunst, Bonn, photo: Thomas Dashuber

Imi Knoebel

Sammlung Goetz

Autumn/Winter 2021

The Sammlung Goetz honors the artist Imi Knoebel on the occasion of his 80th birthday with a retrospective exhibition. The entire spectrum of Knoebel’s artistic oeuvre will be presented, starting with his black and white photographs from the 1960s to his collages made of multicolored paper and his objects cast in concrete and ending with his most recent paintings in acrylic on aluminum. The presentation also includes Knoebel’s geometrical, minimalist works as well as his expressive paintings from the 1980s, which have rarely been shown until now.

© Barbara Kasten

Barbara Kasten. Works

Sammlung Goetz BASE 103

Autumn/Winter 2021

The American artist Barbara Kasten has created an impressive artistic oeuvre over her career spanning from the 1970s to the present. At the center of Kasten’s work are her abstract, geometric color photographs from the 1980s, which explore the interplay of light and dark and afford new spatial experiences. The Sammlung Goetz, which has extensive holdings of works by Kasten, is mounting the artist’s first solo exhibition in Europe in cooperation with the Kunstmuseum Wolfsburg. A selection of the extensive retrospective will be on view in the Sammlung Goetz in Munich.

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