Sammlung Goetz

Imi Knoebel

With a retrospective exhibition, the Sammlung Goetz will honor the artist Imi Knoebel, who developed his own minimalist and conceptual formal vocabulary. The entire breadth of Knoebel’s artistic output—from the black-and-white photographs of the 1960s to the fiberboard paintings and objects made of cast concrete and finally his most recent acrylic paintings on aluminum—will be on view. The presentation includes not only the artist’s geometric and minimalist works, but also his rarely exhibited expressive paintings from the 1980s.

Sammlung Goetz

Thursday & Friday 14.00 - 18.00
Saturday 11.00 - 16.00
Visit with prior registration only

Unfortunately, contrary to expectations, the exhibition rooms on the upper floor are not available at short notice.
However, parts of the exhibition can still be presented to the public. We apologize for the restrictions, but continue to look forward to your visit!

Oberföhringer Str. 103
81925 Munich

The work of Imi Knoebel (*1940) spans more than five decades. An outstanding representative of resolutely non-objective painting, Knoebel’s goal from the beginning has been to break the genre’s boundaries and conquer space. He studied at the Düsseldorf Art Academy in the class of Joseph Beuys and—together with Rainer Giese—earned the right to use the legendary Room 19, which became an  experimentation space for the two young artists.

Another important reference for Knoebel was a fellow student in Beuys’ class, Blinky Palermo, a colorist. After Palermo’s untimely death, Knoebel—who until then had worked mainly in black and white—adopted Palermo’s legacy and began to employ color. His first colored works were the hard-fiber paintings executed in red lead, a rust-proofing agent. By 1977, however, he was using the entire palette.

The Sammlung Goetz, which includes nearly 40 works by the artist from five decades, is honoring the “young-at-heart old master of radically non-objective painting” with a retrospective exhibition. The show was organized in close collaboration with Imi Knoebel and his wife Carmen. A chronological or thematic presentation was intentionally rejected. Instead, the presentation focuses on cross-references that reveal formal and thematic connections within Knoebel’s artistic oeuvre. 

Knoebel’s passion for experimentation has been a constant companion. This is evident not only in his enormous variety of different color combinations, but also in the artist’s use of different materials. The exhibition includes, for example, paintings on hardboard, plywood and aluminum, as well as objects made of cast concrete.

Curator: Karsten Löckemann
Curatorial assistant: Pietro Tondello

Accompanying program

Sammlung Goetz

Art after work

Staff members of the Sammlung Goetz guide visitors through the exhibitions 'Imi Knoebel' and 'Barbara Kasten'

Sammlung Goetz

Public tour

Through the exhibitions 'Imi Knoebel' and 'Barbara Kasten'

Sammlung Goetz

Public tour

Through the exhibitions 'Imi Knoebel' and 'Barbara Kasten'


Publications with contributions about the artist

When Now is Minimal. The Unknown Side of the Goetz Collection

240 pages, 263 ill., softcover
2013, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-3647-3
€ 30,00

learn more


Blumenprojektion, Herbst (Flower Projection, Autumn), (1998) Peter Fischli David Weiss

| An intervention of the Sammlung Goetz in the Porzellan Manufaktur Nymphenburg

In the context of the interdisciplinary Flower Power Festival — a celebration of the flower in cultural history—the Sammlung Goetz will present the two-channel slide installation, Blumenprojektion, Herbst (1998) by Peter Fischli David Weiss. Presented as an intervention in the Porzellan Manufaktur Nymphenburg, the images of flower gardens and vegetable beds created by the Swiss artist duo enter into a dialogue with the floral designs of the resident artisans.

(Not) A Doll’s House. Traditional Roles and Brand-New Images

| Münchner Stadtmuseum

The Puppet Theater / Fairground Attraction Collection was a Münchner Stadtmuseum permanent exhibition on puppeteering history for over 30 years during which time it penned its own chapter for the annals of history. “(Not) A Doll’s House. Traditional Roles and Brand-New Images” is the result of interdisciplinary cooperation with the Sammlung Goetz and the Münchner Stadtmuseum Photography Collection. With the impending refurbishment and temporary close-down of the museum, it has seized the opportunity to stimulate a dialog between the museum’s collections and contemporary artworks.

Further exhibitions

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