Space installation work containing a machine consisting of a dentist's chair, black and white television sets, robotics, pneumatics, a guitar as well as a computer. A moving megaphone speaker encircles an electric dental chair. The chair is covered in pink fun fur with leather straps and spikes. In the installation are two robotic arms that hover and move- sometimes like a ballet, and sometimes attacking the invisible prisoner in the chair with pneumonic pistons. A disco ball turns above the mechanism reflecting an array of coloured lights while a guitar hit by a robotic wand wails and a wall of old TV’s turns on and off creating an eerie glow. Janet Cardiff/George Bures Miller, Sammlung Goetz Munich

Haus der Kunst, Munich

Janet Cardiff & George Bures Miller. Works from the Goetz Collection

April 13 – July 8, 2012

With eight works spanning the best part of a decade, from Playhouse (1997) and The Paradise Institute (2001) to Cabin Fever (2004) and The Killing Machine (2007), the complex oeuvre of Canadian artists Janet Cardiff and George Bures Miller form a core element of the Goetz Collection’s more than 500 media artworks.

In close collaboration with the Sammlung Goetz and the artists, Haus der Kunst presents this important collection in the form of a retrospective solo exhibition hosted in the museum’s south wing under the curatorial guidance of León Krempel. Compelling visual images, richly ambiguous narratives and intense sound structures combine to create open-ended, multi-layered sensory experiences that jolt our sensibilities from their often simplistic one-sidedness. The works of Janet Cardiff and George Bures Miller make us aware that there is often more to the things, objects and processes of everyday life than the purely functional.

Curated by León Krempel

Janet Cardiff & George Bures Miller.
Werke aus der Sammlung Goetz

96 pages, 56 ill., softcover
German/English
2012, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-3153-9
€ 25,00

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Cindy Sherman

March 17 – June 27, 2026 | Sammlung Goetz /Schaufenster

The staging of female role models in photographic self-portraits is the predominant theme in the work of American artist Cindy Sherman. To this end, Sherman references stereotypes of collective visual memory in a media-driven world. The exhibition at the Sammlung Goetz /Schaufenster highlights works from Sherman’s fashion series, created between 1983 and 1994. Thanks to her passion for costumes and masquerade, the world of fashion has been an expansive playing field for her artistic exploration.