Space installation work containing a machine consisting of a dentist's chair, black and white television sets, robotics, pneumatics, a guitar as well as a computer.  A moving megaphone speaker encircles an electric dental chair. The chair is covered in pink fun fur with leather straps and spikes. In the installation are two robotic arms that hover and move- sometimes like a ballet, and sometimes attacking the invisible prisoner in the chair with pneumonic pistons. A disco ball turns above the mechanism reflecting an array of coloured lights while a guitar hit by a robotic wand wails and a wall of old TV’s turns on and off creating an eerie glow. Janet Cardiff/George Bures Miller, Sammlung Goetz Munich
Haus der Kunst, Munich

Janet Cardiff & George Bures Miller. Works from the Goetz Collection

With eight works spanning the best part of a decade, from Playhouse (1997) and The Paradise Institute (2001) to Cabin Fever (2004) and The Killing Machine (2007), the complex oeuvre of Canadian artists Janet Cardiff and George Bures Miller form a core element of the Goetz Collection’s more than 500 media artworks.

In close collaboration with the Sammlung Goetz and the artists, Haus der Kunst presents this important collection in the form of a retrospective solo exhibition hosted in the museum’s south wing under the curatorial guidance of León Krempel. Compelling visual images, richly ambiguous narratives and intense sound structures combine to create open-ended, multi-layered sensory experiences that jolt our sensibilities from their often simplistic one-sidedness. The works of Janet Cardiff and George Bures Miller make us aware that there is often more to the things, objects and processes of everyday life than the purely functional.

Curated by León Krempel
 

 

Janet Cardiff & George Bures Miller.
Werke aus der Sammlung Goetz

96 pages, 56 ill., softcover
German/English
2012, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-3153-9
€ 25,00

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Upcoming

Cyrill Lachauer. The Sunset Route

| Kunstpalais Erlangen

feat. Mike Brodie, Mouse Green, Rhyw, Mia Justice Smith, Moritz Stumm

In the exhibition The Sunset Route, on view at the Kunstpalais Erlangen and created in collaboration with the Sammlung Goetz, Cyrill Lachauer presents works from 2020 to 2025, a period during which he traveled on freight trains through the USA, Mexico, and Bosnia. In the spirit of poetic ethnography, he created photographs and films that are now being shown together for the first time. They all explore questions of freedom, self-determination, and resistance, as well as colonization, exclusion, and exploitation.

 

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