Space installation work containing a machine consisting of a dentist's chair, black and white television sets, robotics, pneumatics, a guitar as well as a computer.  A moving megaphone speaker encircles an electric dental chair. The chair is covered in pink fun fur with leather straps and spikes. In the installation are two robotic arms that hover and move- sometimes like a ballet, and sometimes attacking the invisible prisoner in the chair with pneumonic pistons. A disco ball turns above the mechanism reflecting an array of coloured lights while a guitar hit by a robotic wand wails and a wall of old TV’s turns on and off creating an eerie glow. Janet Cardiff/George Bures Miller, Sammlung Goetz Munich
Haus der Kunst, Munich

Janet Cardiff & George Bures Miller. Works from the Goetz Collection

With eight works spanning the best part of a decade, from Playhouse (1997) and The Paradise Institute (2001) to Cabin Fever (2004) and The Killing Machine (2007), the complex oeuvre of Canadian artists Janet Cardiff and George Bures Miller form a core element of the Goetz Collection’s more than 500 media artworks.

In close collaboration with the Sammlung Goetz and the artists, Haus der Kunst presents this important collection in the form of a retrospective solo exhibition hosted in the museum’s south wing under the curatorial guidance of León Krempel. Compelling visual images, richly ambiguous narratives and intense sound structures combine to create open-ended, multi-layered sensory experiences that jolt our sensibilities from their often simplistic one-sidedness. The works of Janet Cardiff and George Bures Miller make us aware that there is often more to the things, objects and processes of everyday life than the purely functional.

Curated by León Krempel
 

 

Janet Cardiff & George Bures Miller.
Werke aus der Sammlung Goetz

96 pages, 56 ill., softcover
German/English
2012, Hatje Cantz Verlag, Ostfildern
ISBN 978-3-7757-3153-9
€ 25,00

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Upcoming

Cyrill Lachauer. The Sunset Route

| Kunstpalais Erlangen

feat. Mike Brodie, Mouse Green, Rhyw, Mia Justice Smith, Moritz Stumm

In the exhibition The Sunset Route, on view at the Kunstpalais Erlangen and created in collaboration with the Sammlung Goetz, Cyrill Lachauer presents works from 2020 to 2025, a period during which he traveled on freight trains through the USA, Mexico, and Bosnia. In the spirit of poetic ethnography, he created photographs and films that are now being shown together for the first time. They all explore questions of freedom, self-determination, and resistance, as well as colonization, exclusion, and exploitation.

 

Laurie Simmons. Dollhouse Photographs

| Deutsches Theatermuseum

The American artist Laurie Simmons is known for her photographs featuring tiny dolls representing stereotypical female roles in domestic interiors. Her series In and Around the House (1978/79) is exemplary for this set-up photography. The series is the centerpiece of the exhibition, with 56 black-and-white images showing a doll occupied with the mundane chores of a housewife in the cozy environment of a dollhouse. The exhibition “Laurie Simmons: Dollhouse Photographs”, a collaboration of Sammlung Goetz, Deutsches Theatermuseum and FILMFEST MÜNCHEN, presents a selection of works by Simmons that cast a critical gaze at gender stereotypes in the American middle class.

Sterling Ruby

| Sammlung Goetz /Schaufenster

Los Angeles-based American artist Sterling Ruby is known for his cross-genre work, which ranges from ceramics and bronzes, collages and textiles, to enormous, spray-painted paintings. In his works, Ruby weaves together a variety of different autobiographical, art-historical, and sociological sources. Through deconstruction and reconstruction, he probes the idea of a non-hierarchical and borderless universe. The exhibition at the Sammlung Goetz /Schaufenster provides insight into his multi-layered artistic practice.

 

Jeff Wall

| Sammlung Goetz /Schaufenster

Canadian artist Jeff Wall is one of the most influential photographers of our time. In his elaborately staged pictorial compositions, he combines the narrative of cinema with painting. Wall became known for his large-format lightbox images, which are formally more reminiscent of the world of advertising than that of fine art. With this technique, he revolutionized the medium of photography, elevating it to the height of painting and sculpture. The exhibition at the Sammlung Goetz /Schaufenster presents a selection of his iconic lightbox images from the 1990s.

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