Abstract, minimalist painting consisting of a black grid that gives the painting spatiality. The squares within have the colours red, white, dark and light blue as well as orange. Sarah Morris, Sammlung Goetz Munich
Haus der Kunst, Munich

Random Sampling. Painting from the Sammlung Goetz

Media art has assumed a dominate position during the years-long partnership between the Sammlung Goetz and Haus der Kunst. The exhibition Random Sampling presents for the first time a representative cross-section of paintings, based on more than 50 works from the collection.

With Tomma Abts, Michael Buthe, Walter Dahn, Ellen Gallagher, Wade Guyton/Kelley Walker, Andy Hope 1930 (Andreas Hofer), Neil Jenney, Mike Kelley, Toba Khedoori, Udomsak Krisanamis, Lucy McKenzie, Sarah Morris, Chris Ofili, Paulina Olowska, David Reed, Wilhelm Sasnal, Tal R and Luc Tuymans.

Painting is a traditional medium in the visual arts and it reflects like few others shifting explorations of artist issues. With nearly 1000 works, painting also plays a central role in the Sammlung Goetz without being an explicit collection object, as Ingvild Goetz collects overlapping mediums of contemporary art in broader contexts. The exhibition in Haus der Kunst thus presents a cross-section from the Sammlung Goetz with a focus on a specific medium, uniting more than 50 works from the late 1960s to the present, created by three generations of artists. Although Ingvild Goetz is guided by her personal preferences and interests in her acquisition of works, the collection reveals a clear vision. This led the exhibition’s curator Ulrich Wilmes to name it Random Sampling, a title inspired by the artistic position represented by Sarah Morris, whose strictly geometric paintings can be perceived as both architecture and patterns.

Curated by Ulrich Wilmes

Upcoming

Cindy Sherman

| Sammlung Goetz /Schaufenster

The staging of female role models in photographic self-portraits is the predominant theme in the work of American artist Cindy Sherman. To this end, Sherman references stereotypes of collective visual memory in a media-driven world. The exhibition at the Sammlung Goetz /Schaufenster highlights works from Sherman’s fashion series, created between 1983 and 1994. Thanks to her passion for costumes and masquerade, the world of fashion has been an expansive playing field for her artistic exploration.

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