Abstract, minimalist painting consisting of a black grid that gives the painting spatiality. The squares within have the colours red, white, dark and light blue as well as orange. Sarah Morris, Sammlung Goetz Munich
Haus der Kunst, Munich

Random Sampling. Painting from the Sammlung Goetz

Media art has assumed a dominate position during the years-long partnership between the Sammlung Goetz and Haus der Kunst. The exhibition Random Sampling presents for the first time a representative cross-section of paintings, based on more than 50 works from the collection.

With Tomma Abts, Michael Buthe, Walter Dahn, Ellen Gallagher, Wade Guyton/Kelley Walker, Andy Hope 1930 (Andreas Hofer), Neil Jenney, Mike Kelley, Toba Khedoori, Udomsak Krisanamis, Lucy McKenzie, Sarah Morris, Chris Ofili, Paulina Olowska, David Reed, Wilhelm Sasnal, Tal R and Luc Tuymans.

Painting is a traditional medium in the visual arts and it reflects like few others shifting explorations of artist issues. With nearly 1000 works, painting also plays a central role in the Sammlung Goetz without being an explicit collection object, as Ingvild Goetz collects overlapping mediums of contemporary art in broader contexts. The exhibition in Haus der Kunst thus presents a cross-section from the Sammlung Goetz with a focus on a specific medium, uniting more than 50 works from the late 1960s to the present, created by three generations of artists. Although Ingvild Goetz is guided by her personal preferences and interests in her acquisition of works, the collection reveals a clear vision. This led the exhibition’s curator Ulrich Wilmes to name it Random Sampling, a title inspired by the artistic position represented by Sarah Morris, whose strictly geometric paintings can be perceived as both architecture and patterns.

Curated by Ulrich Wilmes

Upcoming

Cyrill Lachauer. The Sunset Route

| Kunstpalais Erlangen

feat. Mike Brodie, Mouse Green, Rhyw, Mia Justice Smith, Moritz Stumm

In the exhibition The Sunset Route, on view at the Kunstpalais Erlangen and created in collaboration with the Sammlung Goetz, Cyrill Lachauer presents works from 2020 to 2025, a period during which he traveled on freight trains through the USA, Mexico, and Bosnia. In the spirit of poetic ethnography, he created photographs and films that are now being shown together for the first time. They all explore questions of freedom, self-determination, and resistance, as well as colonization, exclusion, and exploitation.

 

Laurie Simmons. Dollhouse Photographs

| Deutsches Theatermuseum

The American artist Laurie Simmons is known for her photographs featuring tiny dolls representing stereotypical female roles in domestic interiors. The exhibition, a collaboration between Sammlung Goetz, Deutsches Theatermuseum and Filmfest Munich, presents a selection of works by Simmons that cast a critical gaze at gender stereotypes in the American middle class.

Sterling Ruby

| Sammlung Goetz /Schaufenster

Los Angeles-based American artist Sterling Ruby is known for his cross-genre work, which ranges from ceramics and bronzes, collages and textiles, to enormous, spray-painted paintings. In his works, Ruby weaves together a variety of different autobiographical, art-historical, and sociological sources. Through deconstruction and reconstruction, he probes the idea of a non-hierarchical and borderless universe. The exhibition at the Sammlung Goetz /Schaufenster provides insight into his multi-layered artistic practice.

 

Jeff Wall

| Sammlung Goetz /Schaufenster

Canadian artist Jeff Wall is one of the most influential photographers of our time. In his elaborately staged pictorial compositions, he combines the narrative of cinema with painting. Wall became known for his large-format lightbox images, which are formally more reminiscent of the world of advertising than that of fine art. With this technique, he revolutionized the medium of photography, elevating it to the height of painting and sculpture. The exhibition at the Sammlung Goetz /Schaufenster presents a selection of his iconic lightbox images from the 1990s.

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