This color photograph shows two cowboys riding three horses through a body of water in front of snowy mountain landscape. Richard Prince, Sammlung Goetz Munich
Sammlung Goetz

Richard Prince

Richard Prince appropriates foreign imagery by citing, photographing or painting over it. His artworks give these foreign worlds a new context. The exhibition in Sammlung Goetz presented an overview of the American artist's oeuvre with over 50 artworks from nearly all phases.

Born in 1949, Richard Prince now works in New York. He developed his characteristic style in the 1970s. Working at a temporary job in an image archive, he photographed the images in advertisements. He then created series of these images, all with the same motive, such as the pairs in Untitled (couple) (1977).
His best known work group, which is also his 'trademark', is Untitled Cowboys from the Marlboro campaign, which has developed from 1980 on.
In circa 1984, Prince began to group photos in 'gangs', such as in Criminals and Celebrities (1986) or Creative Evolution (1984/85). The visual appearance of these can be compared to a highly enlarged contact print from a photo lab. In addition, he deals with the rites of the biker scene. In his series Girlfriends, he uses private photos from biker magazines, in which half-naked girls have suggestively draped themselves over motorcycles.
Prince's Joke-Paintings, which he has created since the mid-1980s, form a large work complex in the Sammlung Goetz holdings. They are based on jokes that the artist finds in magazines and newspapers. In the beginning, he writes them by hand on small pieces of paper. Later, he transfers the texts and cartoons onto huge canvases. The pretty nurses in the Nurse Paintings, such as Aloha Nurse and Surgical Nurse from 2002 are motifs that signify longing and are derived from cheap novels of the 1950s.

Richard Prince

168 pages, 100 ill., hardcover
German/English
2004, Kunstverlag Ingvild Goetz GmbH, Hamburg
ISBN 3-9808063-4-0
€ 15,00

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Upcoming

Cyrill Lachauer. The Sunset Route

| Kunstpalais Erlangen

feat. Mike Brodie, Mouse Green, Rhyw, Mia Justice Smith, Moritz Stumm

In the exhibition The Sunset Route, on view at the Kunstpalais Erlangen and created in collaboration with the Sammlung Goetz, Cyrill Lachauer presents works from 2020 to 2025, a period during which he traveled on freight trains through the USA, Mexico, and Bosnia. In the spirit of poetic ethnography, he created photographs and films that are now being shown together for the first time. They all explore questions of freedom, self-determination, and resistance, as well as colonization, exclusion, and exploitation.

 

Laurie Simmons. Dollhouse Photographs

| Deutsches Theatermuseum

The American artist Laurie Simmons is known for her photographs featuring tiny dolls representing stereotypical female roles in domestic interiors. Her series In and Around the House (1978/79) is exemplary for this set-up photography. The series is the centerpiece of the exhibition, with 56 black-and-white images showing a doll occupied with the mundane chores of a housewife in the cozy environment of a dollhouse. The exhibition “Laurie Simmons: Dollhouse Photographs”, a collaboration of Sammlung Goetz, Deutsches Theatermuseum and FILMFEST MÜNCHEN, presents a selection of works by Simmons that cast a critical gaze at gender stereotypes in the American middle class.

Sterling Ruby

| Sammlung Goetz /Schaufenster

Los Angeles-based American artist Sterling Ruby is known for his cross-genre work, which ranges from ceramics and bronzes, collages and textiles, to enormous, spray-painted paintings. In his works, Ruby weaves together a variety of different autobiographical, art-historical, and sociological sources. Through deconstruction and reconstruction, he probes the idea of a non-hierarchical and borderless universe. The exhibition at the Sammlung Goetz /Schaufenster provides insight into his multi-layered artistic practice.

 

Jeff Wall

| Sammlung Goetz /Schaufenster

Canadian artist Jeff Wall is one of the most influential photographers of our time. In his elaborately staged pictorial compositions, he combines the narrative of cinema with painting. Wall became known for his large-format lightbox images, which are formally more reminiscent of the world of advertising than that of fine art. With this technique, he revolutionized the medium of photography, elevating it to the height of painting and sculpture. The exhibition at the Sammlung Goetz /Schaufenster presents a selection of his iconic lightbox images from the 1990s.

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