© Yayoi Kusama
Sammlung Goetz Filmbox

Yayoi Kusama: Walking Piece, 1966 & Kusama’s Self Obliteration, 1967

Yayoi Kusama's trademark is 'polka dots', the colored points that she leaves on canvases, objects and public spaces. She started her artistic career as a performer in New York. In its Filmbox, Sammlung Goetz presented two works from the Japanese artist's early period.

Dressed in a traditional kimono in bright pink and holding an umbrella decorated with flowers, Yayoi Kusama wanders around the streets of New York. Against the gray sea of houses, she seems as exotic as a colorful butterfly. The installation Walking Piece (1966) documents her walk with 25 colored slides.

Since earliest childhood, Kusama has suffered from mental illness. This manifests itself in hallucinations in which she experiences her entire environment as covered by dots. Kusama processes these experiences through her artwork.
In her body-painting actions in the late 1960s, Kusama painted naked people with dots. Similar to her hallucinations, this was intended to dissolve the boundaries between art, people and the environment. The artist's most famous happenings can be seen in the video film Kusama's Self-Obliteration (1967).

Upcoming

© Felix Gonzalez-Torres

Felix Gonzalez-Torres, "Untitled", 1992

An exhibition project by the Sammlung Goetz in public space

The black-and-white photograph "Untitled" (1992) by Felix Gonzalez-Torres, in which a figure’s ghostly shadow is captured on a billowing curtain, is part of the artist’s billboard series. The concept behind the work is that the owner produces the image as a public poster. Regardless of how often it is printed, it is always unique. In the context of Munich’s Various Others project, the Sammlung Goetz is presenting "Untitled" (1992) on five billboards in around the city and in front of its own exhibition building in Munich.

 

[Translate to English:]

Cyrill Lachauer. I am not sea, I am not land

Sammlung Goetz in Haus der Kunst

Cyrill Lachauer (*1979 in Rosenheim, lives and works in Berlin and Los Angeles) develops his extensive projects on long journeys, and delves deeply into the local cultures of the places he visits. For the exhibition by the Sammlung Goetz in the former air-raid shelter of Haus der Kunst, Lachauer has created a new multi-part installation, which includes films, videos, photographs and texts.

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