Female Identities? KünstlerInnen der Sammlung Goetz
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"Art always has to have something to do with me. This is why a constant preoccupation with the new and the contemporary is a personal concern to me and one that affects my collecting." (Ingvild Goetz)
With Nobuyoshi Araki, Diane Arbus, Nan Goldin, Sarah Jones, Daniela Rossell, Jessica Stockholder, Rosemarie Trockel, Rachel Whiteread and Andrea Zittel.
Critically questioning one's own identity – which Ingvild Goetz does time and time again by committing herself to the art of her age – is also the starting point for the new selection of works from her extensive collection that is on display in the Neues Museum Weserburg (today Weserburg Museum für moderne Kunst). Take Diane Arbus and Nan Goldin's photographs, or Andrea Zittel's pieces of clothing and dining room tables, or Jessica Stockholder's couch parts, or Rosemarie Trockel and Rachel Whiteread's body castings or even fragments – do these reflect female identities? This was the question – or even conflict – that continually confronts visitors to the 2004 exhibit in the Neues Museum Weserburg. The selection of photographs changes twice during the course of the show.
Canadian artist Jeff Wall is one of the most influential photographers of our time. In his elaborately staged pictorial compositions, he combines the narrative of cinema with painting. Wall became known for his large-format lightbox images, which are formally more reminiscent of the world of advertising than that of fine art. With this technique, he revolutionized the medium of photography, elevating it to the height of painting and sculpture. The exhibition at the Sammlung Goetz /Schaufenster presents a selection of his iconic lightbox images from the 1990s.