Photograph of a dark-haired woman with dark eye make-up and a frivolously open mouth. Julian Rosefeldt, Sammlung Goetz Munich

Museum Villa Stuck, Munich

Manifesto. Julian Rosefeldt

February 16 – May 21, 2017

With his new film installation Manifesto, Julian Rosefeldt has achieved something that overshadows his earlier work. For the leading role he was able to gain the Australian actress Cate Blanchett, who embodies different characters – from a primary school teacher to a stock broker to a homeless man – in twelve episodes. In cooperation with the Sammlung Goetz, the Museum Villa Stuck presents the monumental 13-channel film installation in an exhibition.

"Manifesto is a tribute to the beauty of artistic manifests," says Rosefeldt, "a manifesto of the manifestos." Rosefeldt came across the subject while working on his film Deep Gold, which he presented as part of the exhibition The Sting of the Scorpion in Museum Villa Stuck in 2014. The work was an examination of L'Âge d'Or – The Golden Age (1929/30), the scandalous Surrealistic film by Luis Buñuel. The Museum Villa Stuck now presents the monumental film installation Manifesto in the same rooms. The 13 large-format projections spread over the two floors and the gallery are optically and acoustically connected to one another via the glass spiral staircase.
The leading actress in all twelve chapters is the Oscar winner Cate Blanchett, who once again proves her extraordinary versatility. The texts she speaks are quotes from art manifestos from the entire 20th century, including ones by Kazimir Malevich, Filippo Tommaso Marinetti, Sol LeWitt and Jim Jarmusch. Rosefeldt has arranged the quotations into a text collage and anchored them in the present to show that their passionate protests are still relevant today.
The Sammlung Goetz has supported Julian Rosefeldt's ambitious project since its early stages and therefore has the first edition of six identical copies. In addition to the 13-channel film installation, which has a running time of 130 minutes, the acquisition also includes a single-channel version of the work. With Manifesto (2014/15), the Sammlung Goetz has been able to add another key work to its portfolio of films and installations by Julian Rosefeldt.

Curated by Cornelia Gockel and Verena Hein

Cyrill Lachauer. The Sunset Route

June 20 – September 27, 2026 | Kunstpalais Erlangen

feat. Mike Brodie, Mouse Green, Rhyw, Mia Justice Smith, Moritz Stumm

In the exhibition The Sunset Route, on view at the Kunstpalais Erlangen and created in collaboration with the Sammlung Goetz, Cyrill Lachauer presents works from 2020 to 2025, a period during which he traveled on freight trains through the USA, Mexico, and Bosnia. In the spirit of poetic ethnography, he created photographs and films that are now being shown together for the first time. They all explore questions of freedom, self-determination, and resistance, as well as colonization, exclusion, and exploitation.

Laurie Simmons. Dollhouse Photographs

June 25 – August 30, 2026 | Deutsches Theatermuseum

The American artist Laurie Simmons is known for her photographs featuring tiny dolls representing stereotypical female roles in domestic interiors. The exhibition, a collaboration between Sammlung Goetz, Deutsches Theatermuseum and Filmfest Munich, presents a selection of works by Simmons that cast a critical gaze at gender stereotypes in the American middle class.

Sterling Ruby

July 16 – October 24, 2026 | Sammlung Goetz /Schaufenster

Los Angeles-based American artist Sterling Ruby is known for his cross-genre work, which ranges from ceramics and bronzes, collages and textiles, to enormous, spray-painted paintings. In his works, Ruby weaves together a variety of different autobiographical, art-historical, and sociological sources. Through deconstruction and reconstruction, he probes the idea of a non-hierarchical and borderless universe. The exhibition at the Sammlung Goetz /Schaufenster provides insight into his multi-layered artistic practice.

Jeff Wall

November 17, 2026 – February 20, 2027 | Sammlung Goetz /Schaufenster

Canadian artist Jeff Wall is one of the most influential photographers of our time. In his elaborately staged pictorial compositions, he combines the narrative of cinema with painting. Wall became known for his large-format lightbox images, which are formally more reminiscent of the world of advertising than that of fine art. With this technique, he revolutionized the medium of photography, elevating it to the height of painting and sculpture. The exhibition at the Sammlung Goetz /Schaufenster presents a selection of his iconic lightbox images from the 1990s.