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Sammlung Goetz in Haus der Kunst

So Much I Want to Say: From Annemiek to Mother Courage

In the 1990s, when Ingvild Goetz began to systematically collect media art, the theoretical basis for gender studies was being established. These have since become familiar to us through comparative literature, cultural studies and related disciplines. The works Goetz added to her collection of media-art reflect keen interest in these issues at the time.


With Chantal Akerman, Andrea Bowers, Rineke Dijkstra, Cheryl Donegan, Mona Hatoum, Lucy McKenzie / Paulina Olowska, Tracey Moffatt, Tracey Moffatt & Gary Hillberg, Ulrike Ottinger, Rosemarie Trockel and Ryan Trecartin.

The selected films date from mid 1970s and later. With their female protagonists, they depict role models and thus a certain understanding of femininity; or explicitly represent a feminist position. Including works by Chantal Akerman, Andrea Bowers, Rineke Dijkstra, Cheryl Donegan, Mona Hatoum, Lucy McKenzie & Paulina Olowska, Tracey Moffatt, Ulrike Ottinger, Rosemarie Trockel and Ryan Trecartin, the exhibition provides an overview of the development of feminist discourse since the 1970s.

Curated by Patrizia Dander



© Imi Knoebel/VG BILD Kunst, Bonn, photo: Thomas Dashuber

Imi Knoebel

Sammlung Goetz

Autumn/Winter 2021

The Sammlung Goetz honors the artist Imi Knoebel on the occasion of his 80th birthday with a retrospective exhibition. The entire spectrum of Knoebel’s artistic oeuvre will be presented, starting with his black and white photographs from the 1960s to his collages made of multicolored paper and his objects cast in concrete and ending with his most recent paintings in acrylic on aluminum. The presentation also includes Knoebel’s geometrical, minimalist works as well as his expressive paintings from the 1980s, which have rarely been shown until now.

© Barbara Kasten

Barbara Kasten. Works

Sammlung Goetz BASE 103

Autumn/Winter 2021

The American artist Barbara Kasten has created an impressive artistic oeuvre over her career spanning from the 1970s to the present. At the center of Kasten’s work are her abstract, geometric color photographs from the 1980s, which explore the interplay of light and dark and afford new spatial experiences. The Sammlung Goetz, which has extensive holdings of works by Kasten, is mounting the artist’s first solo exhibition in Europe in cooperation with the Kunstmuseum Wolfsburg. A selection of the extensive retrospective will be on view in the Sammlung Goetz in Munich.

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